Did you (or do you plan to) release a recording between October 1, 2017 through September 30, 2018? If so, it’s time to enter your release for GRAMMY® consideration, and I can help!
 
Submissions for GRAMMY® consideration can only be made by Academy Members (or registered media companies). Only recordings that are COMMERCIALLY RELEASED in the United States are eligible for consideration. Recordings that are sold only through artist websites or at gigs are not eligible. All releases must be available for sale, via general distribution, to the public by Sept. 30 and through at least the date of the current year’s voting deadline (final ballot: Dec. 13, 2018 - Jan. 9, 2019).
 
The first round entry process is for albums released from October 1, 2017 thru July 31, 2018 and begins Monday July 2. It closes Monday July 16 at 3pm HST. The final round entry process is for August and September 2018 releases (including those that have a scheduled release date between September 1 and September 30, 2018), and begins Wednesday August 8. Final round entries close on Wednesday August 22 at 3pm HST. (These are firm deadlines!)
 
Entry for Hawai'i artists is open to all genres! The Regional Roots category (for our Hawaiian music) requires that lyrics be comprised of 50% or more 'ōlelo Hawai'i (Hawaiian language), but there are many other categories - including instrumental categories where I’ve entered recordings in the past on behalf of ‘ukulele players.
 
If you’d like me to enter your recording for consideration, here is some of the information I’ll need:

• Recording Type (album, digital, etc.)
• Artist Type (solo, group, various - for compilations, etc)
• Artist Name(s)
• Release Title (exact title)
• Album release date
• Distribution (Amazon, iTunes, Barnes & Noble, etc. - and a link if online)
• Album recording date(s) or range of dates (example: January - April 2017)
• Album UPC
• Credited record label
• Format to be submitted to Academy (commercial CD, vinyl, boxed set, etc)

 
There may also be more information required, but I won’t know until they open the online entry process. I will also need at least one copy of the album (certain genres require more).
 
For more information, or to request that I submit your album for GRAMMY® consideration, please contact me as soon as possible via email at mkaloha@gmail.com
​

The 41st annual celebration of Hawai'i's music, the Nā Hōkū Hanohano Awards (Hawai'i's GRAMMY® Awards), takes place Saturday May 19 at the Hawai'i Convention Center. For the first time, the show will not be separated into pre-telecast and broadcast portions, but will be broadcast in its entirety in Hawai'i on KFVE TV and online worldwide on the KFVE website beginning at 5:30pm HST.
 
Viewers and attendees will not want to miss the very special opening of the show, which celebrates the "Year of the Hawaiian", as officially proclaimed by Gov. David Ige in February. It begins with performances ranging from ancient times by a Merrie Monarch winner, to more recent times with past Nā Hōkū winners and current nominees, to an oli by a very special guest who will also co-host the show with Hawai'i Academy of Recording Arts board member (and Hawai'i News Now award-winning news journalist) Ben Gutierrez!
 
In addition to the 36 awards that will be presented, there will be 15 live performances by a variety of artists. The always-exciting performances will again include pairings of current nominees either with each other or with industry icons. Some of those pairings this year include: Jack Johnson with Kawika Kahiapo, Paula Fuga, and Lopaka Colón; Nathan Aweau with Keauhou; Kamaka Kukona with Kimié; Napua with Josh Tatofi; and Pat Simmons, Jr. with Stef Mariani.
 
Here is the complete list of performers:
● Backwards Shaka
● Beat-Lele
● Deems Tsutakawa and Friends
● Ekolu
● Evan Khay
● Greg Sardinha
● Halemanu
● Ho’okena
● Jack Johnson
● Jeff Peterson
● Josh Tatofi
● Kahulanui
● Kamaka Kukona
● Kapena
● Kawika Kahiapo
● Keahi Conjugacion
● Keauhou
● Ken Makuakane
● Kimié Miner
● Lance Takamiya
● Larry Dupio
● Mailani
● Mango Season
● Napua
● Nathan Aweau
● Pat Simmons Jr.
● Paula Fuga
● Shawn and Lehua
● Stef Mariani
● Tsun-Hui Hung
● Zach Manzano

Honolulu, HI – In celebration of their 10th anniversary, Hawai'i's popular, multiple Nā Hōkū Hanohano award-winning trio Waipuna (Kale Hannahs, Matt Sproat, and David Kamakahi) is releasing a 15 track, self-titled album that is a collection of songs that endeavor to answer the question, "Aia i hea ka waiwai a Waipuna?" (loosely translated as "where is the richness or the value of Waipuna? Is it in the meaning of the songs, or their relationships, or..."). The answers come in the form of songs written by or performed with friends and mentors, those who they respect and admire, and those from whom they've learned, as well as songs that honor the 'āina (land).
 
Among the guest artists are: composer and kumu hula Cody Pueo Pata, performing a chant at the end of "E Ho'i Na Wai", originally a water pule (prayer) or chant he wrote in 2001; Nathan Aweau, debuting a song about a journey along the Ko'olau mountains written by his cousin, the late Rev. Dennis Kamakahi, in memory of Dennis' great grandfather (James Ho'olulu Aweau); singer-songwriter (and kahu) Kawika Kahiapo performing Jack Hayford's "Majesty"; and Grammy® nominee, kumu hula, and Maui resident Kamaka Kukona singing a song by Alice Namakelua about Maui's famous streams and other well-known Maui features.
 
Waipuna also features a special mele inoa, or name song, written by composer Puakea Nogelmeier; several songs written by band member Kale Hannahs; and additional guest appearance by Aaron Sala (piano), Sean Carroll (percussion), Greg Sardinha (steel guitar), and Kale Chang (background vocals). The liner notes include comments by various composers about the songs they wrote, including Tony Conjugacion and Kawaikapuokalani Hewett.
 
Waipuna began as a duo in 2008 when Kale and Matt, both of whom had extensive music backgrounds (Kale was a founding member of the multiple award-winning group 'Ale'a, and Matt is a member of the famous Sproat family of musicians) joined forces. While working on E Ho'i Mai, the follow-up to their critically-acclaimed first album Mana'o Pili, they brought  David in to record several songs - and liked the sound so much that they asked him to join the group. The combination works - each of the group's releases (four albums and a single) have been honored with Nā Hōkū Hanohano Awards - Hawai'i's Grammy® Award, and they have loyal fans all over the world.
 
Scheduled to hit store shelves April 24, Waipuna was produced by Lea Uehara, Kale Chang, and Waipuna, and recorded at Chang's 'Auwa'a Studios. The album will be available at local stores and online at Me Ke Aloha. Listen to a few clips from the album below. 

​Finalists for the 41st annual Nā Hōkū Hanohano Awards have been announced! Voting for eligible HARA members will begin April 5.
 
The Awards will be held on Saturday, May 19, 2018 at the Hawai‘i Convention Center. Tickets will go on sale April 5, 2018. The show will also be broadcast live on KFVE TV and online at the KFVE website.

2018 NĀ HŌKŪ HANOHANO AWARDS – Finalists
 
GENERAL CATEGORIES
 
Album of the Year
1. ‘Ala Anuhea – Kamaka Kukona (Hanu), Dave Tucciarone and Kamakoa Lindsey-Asing, producers
2. Ho‘okena 3.0 – Ho‘okena (Huliau, LLC), Ho‘okena, producer
3. I Ke Kō A Ke Au – Keauhou (Keauhou), Keauhou, producer
4. Makawalu – Nāpua (Pihana Productions), Dave Tucciarone and Kamakoa Lindsey-Asing, producers
5. Palena ‘Ole – Kapena (KDE), Kapena, producer
 
EP (Extended Play) of the Year
1. Aia I Laila Ka Wai – Various Artists, Keola Donaghy and Joel Katz producers (Institute of Hawaiian Music)
2. His Songs, His Stories, His Style – Brother Noland (Brother Noland)
3. Musicians Helping Musicians, Friends Helping Friends – Kuleana Breakfast Club (Kuleana Breakfast Club)
4. Pali Ke Kua – Mailani (Hā Enterprises)
5. This Mountain – Pat Simmons, Jr. (Pat Simmons, Jr.)
 
Single of the Year
1. Autumn Leaves (Live) – Keahi Conjugacion (No Hum Yet)
2. In My Life – Maggie Herron (Herron Song Records)
3. Sincerely – Matagi (with Fiji) (Mea Nui Records, LLC)
4. We Are Hawai‘i’s Finest – Ekolu (Waiehu Records)
5. We Give You Glory – Gabby Pahinui (Bless Up Productions)
 
Hawaiian Single of the Year (new)
1. E Nānā – Nathan Aweau (Bass Plus Music Arts)
2. Kanakaloka – Kalani Pe‘a (Kalani Pe‘a Music)
3. Kaulana Ka Inoa ‘o Hōkūle‘a – Chad Takatsugi featuring Nā Hoa and Kuini (no label)
4. Ku‘u Lei Puakenikeni – Shawn and Lehua (Kalima Music, LLC)
5. Nou E Pauahi – Eric Lee (Lee Enterprises)
 
Song of the Year
1. Bamboo – Kimie Miner, from Proud As the Sun (Haku Records), Kimie Miner, Imua Garza, Jesse Epstein, and
Isaac Moreno, composers
2. E Nānā – Nathan Aweau, from E Nānā (Bass Plus Music Arts), Nathan Aweau, composer
3. Kewalo Uka – Keauhou, from I Ke Kō A Ke Au (Keauhou), Jonah Kahanuola Solatorio, composer
4. Ku‘u Lei Puakenikeni – Shawn and Lehua, from Ku‘u Lei Puakenikeni (Kalima Music, LLC), Frank
Kawaikapuokalani Hewett, Shawn Pimental and Lehua Kalima, composers
5. When I Come Home – Kapena, from Palena ‘Ole (KDE), Kenneth Makuakāne, composer
 
Instrumental Composition of the Year
1. Indie Man – Kamuela Kahoano from Portraits (Green Light Go HI Productions), Kamuela Kahoano, composer
2. Journey Across the Sea, The – Greg Sardinha, Tsun-Hui Hung, and Jeff Peterson, from Across the Sea (Keala
Records), Greg Sardinha and Tsun-Hui Hung, composers
3. Kahulanui Boogie Woogie – Kahulanui from Mele Ho‘oilina (Kahulanui, LLC), Bill Noble, composer
4. Kailua Rain – Kuleana Breakfast Club from Musicians Helping Musicians, Friends Helping Friends (Kuleana
Breakfast Club), David Kauahikaua, composer
5. Ke Ali‘i Ki‘eki‘e – Kenneth Makuakāne from Simply for Ke Akua (KMM), Kenneth Makuakāne and
Kawaipunaoha‘ao Makuakāne, composers
 
Female Vocalist of the Year
1. Sandy Essman – ‘Ale‘a (Tin Idol Productions)
2. Mailani – Pali Ke Kua (Hā Enterprises)
3. Stef Mariani – Stay Gold (Klever Kitty Records)
4. Kimie Miner – Proud As the Sun (Haku Records)
5. Nāpua – Makawalu (Pihana Productions)
 
Group of the Year
1. Bryan Tolentino & Herb Ohta, Jr. – ‘Ukulele Friends, The Sequel (Neos Productions)
2. Ho‘okena – Ho‘okena 3.0 (Huliau, LLC)
3. Kahulanui – Mele Ho‘oilina (Kahulanui, LLC)
4. Kapena – Palena ‘Ole (KDE)
5. Keauhou – I Ke Kō A Ke Au (Keauhou)
 
Male Vocalist of the Year
1. Lito Arkangel – Ku‘upau (Lito Arkangel)
2. Brother Noland – His Songs, His Stories, His Style (Brother Noland)
3. Jack Johnson – All the Light Above It Too (Brushfire Records)
4. Kamaka Kukona – ‘Ala Anuhea (Hanu)
5. Kenneth Makuakāne – Simply for Ke Akua (KMM)
 
Most Promising Artist of the Year
1. Beat-Lele – Beat-Lele: An Ukulele Tribute to the Beatles (Beatle-lele Music)
2. Kala‘e Camarillo – Working Man (no label)
3. Halemanu – So the Story Goes (Sounds Like Hale)
4. Leipono – Ku‘u Pualei (no label)
5. Pat Simmons, Jr. – This Mountain (Pat Simmons, Jr.)
 
GENRE CATEGORIES
 
Alternative Album of the Year
1. Anaspond – Mele‘uhane (Tiki Time Records)
2. Human – Kukahi Lee (Makali‘i Productions)
3. Portraits – Kamuela Kahoano (Green Light Go HI Productions)
4. Retrograde – Evan Khay (Evan Khay)
5. Stay Gold – Stef Mariani (Klever Kitty Records)
 
Anthology of the Year
1. 30th Anniversary – Pandanus Club (KMM)
2. Best of Metal Kalikimaka Vol. 1 - 3 – Tin Idols (Tin Idol Productions)
3. Family Memories – The Best of Dad, Nick, and Alx – Manoa DNA (ASFI)
4. Happy to Be Me – Randy Parker (Mauka Productions)
5. Jus’ Bes’ – Led Kaapana (Jus’ Press Productions)
 
Compilation of the Year
1. Nā Leo Kau‘i Ō Hawai‘i – Various Artists (Neos Productions)
2. Nā Mele ‘Ukulele – Various Artists (Neos Productions)
3. Season of Change, A – Various Artists (Elation Records)
 
Contemporary Album of the Year
1. All The Light Above It Too – Jack Johnson (Brushfire Records)
2. Aloha Spirit – Tavana (no label)
3. John Valentine Hawaii: Back In My Day – John Valentine (Studio Valentine One Music)
4. Palena ‘Ole – Kapena (KDE)
5. Proud As the Sun – Kimie Miner (Haku Records)
 
Hawaiian Music Album of the Year
1. ‘Ala Anuhea – Kamaka Kukona (Hanu)
2. Ho‘okena 3.0 – Ho‘okena (Huliau, LLC)
3. I Ke Kō A Ke Au – Keauhou (Keauhou)
4. Ku‘upau – Lito Arkangel (Lito Arkangel)
5. Makawalu – Nāpua (Pihana Productions)
 
Hip Hop Album of the Year
1. ArtChiTexture – Cedric Clinton (no label)
2. Makana – Illtalian (no label)
3. My Time, No Lie – Slikk (Aloha Hye Records)
4. Open Eyes – Geronimo (no label)
5. Rubberbandz & Contraband – Aktion (Twentybirdz)
6. TRULife – Tre Tru (Island Moho Ent.)
 
Instrumental Album of the Year
1. Across the Sea – Greg Sardinha, Tsun-Hui Hung, and Jeff Peterson (Keala Records)
2. Aloha, This Is Who We Are – Lance Takamiya (Lance Takamiya / Pass Out Records)
3. Na Waiho‘olu‘u – Dennis Soares (Elation Records)
 
Island Music Album of the Year
1. Aloha From My Hawai‘i – Michael Chock (Seawind Productions)
2. Coming Home – Cane Fire (Cane Fire Music)
3. Island Treasurers – Damien Paiva (no label)
4. People and Places of Na Ko‘olau – Rod Young and Gordon Broad (Moon Surfer Productions)
5. So the Story Goes – Halemanu (Sounds Like Hale)
 
Jazz Album of the Year
1. Deems Tsutakawa and Friends – Live in Hawaii – Deems Tsutakawa and Friends (J-Town Records)
2. Live at Studio 6 – Rich Crandall Trio (Music Formats)
3. Mele Ho‘oilina – Kahulanui (Kahulanui, LLC)
4. Rendezvous At Eight – Jimmy C (Jimmy C)
5. Swanky at Abbey Road – Patrick von Wiegandt featuring Ginai (von Wiegandt Productions)
 
Metal Album of the Year (new)
1. Guns, God, Gold – Champions of Terminal (Tin Idol Productions)
2. Medusa Live at Kumu Kahua Theatre – Storm (Tin Idol Productions)
3. New Genesis – Sin73 (Tin Idol Productions)
4. Tribute – Makona (Tin Idol Productions)
5. Zodiac – Storm (Tin Idol Productions)
 
Music Video of the Year (new)
1. Bamboo – Kimie Miner (Haku Records)
2. E Nā Kini – Kalani Pe‘a (Kalani Pe‘a Music)
3. E Pili Mai – Nāpua (Pihana Productions)
4. Kewalo Uka – Keauhou (Keauhou)
5. When I Come Home – Kapena (KDE)
 
R&B Album of the Year
1. Genres of Soul – RJ Kaneao (Groove Plant Hawaii)
2. Point Panic – Mango Season (no label)
3. Universal Invitation – Goldawn Won & The Universe (808 Connects)
 
Reggae Album of the Year
1. Almost Famous – Backwards Shaka (Yucky Apple Studios)
2. Live What You Love – Mark Saito (Mark Saito Music)
3. Marching Orders – The Green (Easy Star Records)
 
Religious Album of the Year
1. Carry Me On – Mark Riley (Music Missions International Kauai)
2. Greatest Love, The – Nigel Kauanui (no label)
3. Kingdom– New Hope Oahu Music (Dream Music)
4. Simply for Ke Akua – Kenneth Makuakāne (KMM)
5. Souljahs of Jesus Christ – Sons of Yeshua (Bless Up Productions)
 
Rock Album of the Year
1. Along These Lines – Zach Manzano (Zach Manzano)
2. Eklectic – Stuart Hollinger (Baby Boy Productions)
3. Lightning Strikes Hilo – Larry Dupio (no label)
4. Lock – The Bandhas (Ultramega Records)
5. Lovechile – Lovechile (Pass Out Records)
6. Shining – Pierce Bivens (Bandwagon Studios)
 
‘Ukulele Album of the Year
1. More Than This – Kris Fuchigami (Kris Fuchigami)
2. My Dog Has Fleas – Arlie-Avery Asiu (Arlie-Avery Asiu)
3. New Journey, A – Andrew Molina (Shadow Uke Music)
4. Soliloquy – Arden Fujiwara (no label)
5. Spotless Mind, The – Neal Chin (Nose Butter Productions)
6. ‘Ukulele Friends: The Sequel – Bryan Tolentino & Herb Ohta, Jr. (Neos Productions)
 
TECHNICAL CATEGORIES
 
Graphics Award
1. Wailani Artates for Makawalu – Nāpua (Pihana Productions)
2. Scarlet Eskildsen for Mele Ho‘oilina – Kahulanui (Kahulanui, LLC)
3. Daryl Fujiwara for Ku‘u Pualei – Leipono (no label)
4. Kamea Hadar for Marching Orders – The Green (Easy Star Records)
5. Scott Johnson for Jusʻ Besʻ – Ledward Kaapana (Jus’ Bes’ Productions)
6. Ranae Keane-Bamsey for Honi Honi – Bula Akamu (no label)
7. Raul Soria, Jr. for Isochronism – Aphesis (Made in Pain)
 
Liner Notes
1. Kamaka Kukona for ‘Ala Anuhea – Kamaka Kukona (Hanu)
2. Maila Gibson for Ho‘okena 3.0 – Ho‘okena (Huliau, LLC)
3. Zachary Alaka‘i Lum for I Ke Kō A Ke Au – Keauhou (Keauhou)
4. Pono Murray for Ku‘u Pualei (no label)
5. Anela U‘ilani Tanigawa for Makawalu – Nāpua (Pihana Productions)
6. Napua Wong for Tree of Life – Mokihana Flood (Moki Records)
 
ADJUDICATED CATEGORIES
 
Haku Mele
1. ‘Ala Anuhea – by Kamaka Kukona, from ‘Ala Anuhea – Kamaka Kukona (Hanu)
2. Aloha Maunalua – by Nicholas Keali‘i Lum, from I Ke Kō A Ke Au – Keauhou (Keauhou)
3. Lei Nani Kalaunu – by Kīhei Nahale-a, from Makawalu – Nāpua (Pihana Productions)
4. Lei O Kaiona – byManaiakalani Kalua and Kīhei Nahale-a from Makawalu – Nāpua (Pihana Productions)
5. Mā‘eli‘eli – by Zachary Alaka‘i Lum, from I Ke Kō A Ke Au – Keauhou (Keauhou)
 
Hawaiian Language Performance Award
1. Ho‘okena – Ho‘okena 3.0 (Huliau, LLC)
2. Keauhou – I Ke Kō A Ke Au (Keauhou)
3. Kamaka Kukona – ‘Ala Anuhea (Hanu)
4. Leipono – Ku‘u Pualei (no label)
5. Nāpua – Makawalu (Pihana Productions)
 
Engineering – General
1. Kapena De Lima for Palena ‘Ole –Kapena (KDE)
2. Imua Garza for Retrograde – Evan Khay (Evan Khay)
3. Imua Garza and Zeo Music for Dewfall – Czarina del Mar (Czarina del Mar)
4. Leslie Ludiazo, Wendell Ching, Jules Washington, and Brian Fennell for Marching Orders – The Green
(Easy Star Records)
5. Zach Manzano for Along These Lines – Zach Manzano (Zach Manzano)
 
Engineering – Hawaiian
1. Charles Michael Brotman and Lito Arkangel for Ku‘upau – Lito Arkangel (Lito Arkangel)
2. Kale Chang for Huaka‘i Ku‘u Poli – Kamanawa (Keala Records)
3. Dave Tucciarone for ‘Ala Anuhea – Kamaka Kukona (Hanu)
4. Dave Tucciarone for Ku‘u Pualei – Leipono (no label)
5. Dave Tucciarone for Makawalu – Nāpua (Pihana Productions)
 
International Album – Special Recogniton Award
1. Paradise Magic – Ho Capito (Earth Groove)
2. Colors – Hook (Fukuhara Naoki)
3. Ku‘u Hale ‘O Kope – Kahealani (Kissa Kope)
4. Menehune – Kentaro Tsushima (Kepani Records)
5. Sunset Breeze – Ukulele Swing Trio (JB Music)
6. Ke Ola Hou – John Taisuke Yamada (JST)

FOR IMMEDIATE RELEASE
December 27, 2017
 
Honolulu, HI – As a prelude to his upcoming new album ("Maka Onaona" - Gentle Eyes - scheduled for release in April 2018), multi-talented, Nā Hōkū Hanohano Award winner Nathan Aweau has released an original single entitled E Nānā ("Hey, look my way"). The song is the opposite of the usual kolohe (mischievous) lyrics in Hawaiian songs where the woman is usually the "tease". This time it's written from the man's point of view. With an energetic, playful melody, the song is written and performed in Hawaiian. The English translation of the lyrics read, in part, "I am a peacock, teasing you, enticing you. Look here! I am strong, energetic for you. Come to me."
 
Aweau was born into a musical family. His early years consisted of piano, guitar, and ‘ukulele lessons, followed by saxophone, percussion, and bass. He began his professional career in college, accompanying such well-known performers as Gabe Baltazar, Henry Kapono, Loyal Garner, and Nohelani Cypriano. He was also a member of the award-winning groups Ka'eo, the Ali'i's, and HAPA, and played with the legendary Don Ho for 16 years. He's known for his hauntingly beautiful vocals (he’s won Male Vocalist of the Year honors three times – more than any other artist), and his passion for and proficiency on the electric bass resulted in a 2005 Nā Hōkū Hanohano Award for Jazz Album of the Year for his CD Bass Etude – just one of the many music awards he’s won.
 
As is the case for all of his solo releases, ‘E Nānā is 100% Aweau. In addition to his vocals, he played all the instruments; wrote and arranged the song; and recorded, mixed, and mastered it at his In My Bathroom Studios.
 
The single is a digital-only track currently available on iTunes, with other digital outlets to follow. Here is a clip:

​​                       


 
       ALOHA AUTISM
                     Pono Records
             www.alohaautism.com
 

 



FOR IMMEDIATE RELEASE
November 3, 2017
 
Honolulu, HI - To raise funds to assist those with autism, multiple Nā Hōkū Hanohano Award-winning recording artist Kawika Kahiapo, himself the father of a son with autism, has produced Aloha Autism, an album featuring songs by over a dozen of the top names in Hawaiian music. The high prevalence of children afflicted with an Autism Spectrum Disorder (estimated by the Centers for Disease Control at 1 in 68 in the United States alone) is becoming more well-known, and when contacted by Kawika and asked if they were interested in participating in this project, each artist was quick to say yes. As a result, the album features music by artists well-known throughout Hawai'i, and in some cases, the world - including Jack Johnson, Jake Shimabukuro, Amy Gilliom, Nathan Aweau, and many more.
 
Kahiapo initiated this project thanks to a long-standing friendship between his family and Don and Julianne King, co-founders of the Hawaii Autism Foundation. Both families are well aware of the need for education, programs, and treatments for Autism Spectrum Disorders, and children in Hawaii have a particularly difficult time accessing treatments due to geographic isolation and costs. To help fill that need, the Kings founded the Hawaii Autism Foundation in 2007 to assist Hawaii families in both finding and funding treatments. The Foundation also develops resources that will ensure that children have the tools and transitional support they need in order to reach their full potential and thrive as adults.
 
To assist the Foundation in furthering its work and services, Kahiapo did what he knows best - he pulled some of his musician friends together to create the special benefit CD. Tracks include: Home (Jack Johnson); Master of Ceremonies (Johnny Helm); Shine On (John Cruz); Molokai On My Mind (Blayne Asing); "Walking With You (Makana); Ku’u Momi Makamae (Nathan Aweau); Little Lullaby (Brother Noland); Father to Son (Kawika Kahiapo); What Love (Na Leo); Go For Broke (Jake Shimabukuro); Every Child a Promise (Robi Kahakalau); Stand In the Light (Henry Kapono); Saved (Imua and Tiffa Garza); Ka Malu Akua (Amy Gilliom).
 
Produced by Kahiapo, all tracks on Aloha Autism were previously recorded, appear on the individual artists' own CDs, and were donated to this project. Imua Garza remixed and balanced each track for inclusion on this album.
 
Proceeds from the sale of Aloha Autism will be donated to the Hawaii Autism Foundation (hawaiiautismfoundation.org), to benefit The ARC in Hawaii (http://www.thearcinhawaii.org/) and the Kahumana Learning Center (https://www.kahumana.org/learning-center). Both organizations serve people with autism and other developmental disabilities.
 
Aloha Autism is scheduled for release November 10, 2017, and will be available in digital format on iTunes, CD Baby, and other digital outlets, and in CD format at mkaloha.com and cdbaby.com.
 
In addition, the Hard Rock Cafe is sponsoring a CD Release Party on November 19, 2017 2-5pm, featuring performances by Amy Hanaialiʻi, Johnny Helm, Robi Kahakalau, Kawika Kahiapo, Lehua Kalima, Henry Kapono, and Jake Shimabukuro. Admission includes a copy of the CD, heavy pupu buffet, and drinks. For ticket information, go to www.alohaautism.com (presale tickets only - seating is limited!).

                                                   # # #

​For those who want to submit albums for consideration at the 60th Annual GRAMMY® Awards (taking place at Madison Square Garden in New York City on January 18, 2018), the first round submission process is now open!

The 2018 GRAMMY® Awards are for albums released from October 1, 2016 to September 30, 2017.
 

• First round submissions are for albums released from October 1, 2016 to July 31, 2017. The submission period closes July 17.

 

• Final round submissions open August 9, and are for albums released from August 1, 2017 to September 30, 2017. The final round submission period closes August 23, 2017. (And yes, you do need to submit albums that haven't yet been released if your release date is set between August 23 and September 30! There are provisions for that...)

  
As most of you know, Hawai'i no longer has a category dedicated solely to Hawaiian music. We were rolled into the Regional Roots category in 2012, which also includes Cajun, Native American, New Orleans brass band, Polka, and Zydeco. For a Hawaiian album to be eligible in the Regional Roots category, the Hawaiian language must be used in 51% or more of the vocal tracks on the album, and eligibility will be determined by the screening committee.
  
You must be a member of the National Academy of Recording Arts and Sciences (NARAS) to submit a recording for GRAMMY® consideration. If you're not a NARAS member and would like my help in entering your album for consideration, please contact me!
 
GRAMMY® Voting: If you're not a NARAS member, you must join by September 15, 2017 in order to vote on the first round ballot, and by November 15 to vote on the final  ballot (and be eligible to purchase tickets to the Awards telecast).
 
Questions? Contact me!

​Mele Mei (actually, Mele Apelila, Mei, and Iune - April, May, June) is upon us, and there will be lots of events happening! Back this year is Mele Mei Sundays at Kani Ka Pila Grille in the Outrigger Reef. Hereʻs the schedule, mark your calendars!
 
May 7
Kaiao  4:30-6:30 pm
Brother Noland 7-9 pm
 
May 14
Kaimi Hananoeau  4:30-6:30 pm
Nathan Aweau  7-9 pm
 
May 21
Keauhou  4:30-6:30 pm
Maunalua  7-9 pm
 
May 28
Kunia Galdeira  4:30-6:30 pm
Kupaoa  7-9 pm
 
#melemei  #supporthawaiismusicians

Awards season is in full swing! The GRAMMYs® are on Sunday - best of luck to Hawai'i's own Kalani Pe'a, who's nominated in the Regional Roots catgeory! The Nā Hōkū Hanohano Awards (Hawai'i's GRAMMYs®) are in May - but here are some upcoming Nā Hōkū-related dates you need to know:
 

• The preliminary ballot packet is scheduled to be mailed to voting members of the Hawai'i Academy of Recording Arts (HARA) on Friday, February 24, 2017
• The finalists will be announced Monday, April 17
• The final ballot packet will be mailed to voting HARA members on Wednesday, April 19
• Tickets for the Nā Hōkū Awards Show will go on sale on April 17
• The 40th Annual Nā Hōkū Hanohano Awards will take place on May 20 at the Hawaiʻi Convention Center

 
If you are not a member of HARA (musicians and qualified music-related industries), you must apply for membership no later than February 14 in order to vote on the preliminary ballot. You can apply for membership on the HARA website here.

If you are a former voting member or need to RENEW your membership, the deadline is February 17 (in order to vote on the preliminary ballot). You can renew here.

​Hawai'i musicians! Did you release music or a music video between January 1, 2016 and December 31, 2016? Then it's time to submit your work to the Hawaiʻi Academy of Recording Arts for consideration in the 2017 Nā Hōkū Hanohano Awards! Deadline to submit is 4pm on January 20, 2017.
 
New this year are some rule changes and clarifications, a new (additional) form, and a submission fee. Please be sure to read the submission guidelines carefully - here is the link.
 
​You may submit your entry(s) either online or by hard copy. My advice? When submitting on behalf of my clients, I always print a copy of the form and fill it out by hand, then use that information to submit online. (It's easier to have everything I need at hand in one place, rather than clicking back and forth through the various online pages.) Click here to download and print a hard copy of the submission form.

Here is the link to the online submission form.

There is also a new form required this year: a "Documentation of Release and Commercial Availability". Click here to download and print.

Also new this year is a $10 processing fee for each submission, which may be paid online when you submit your entry, or by enclosing a check or money order payable to the Hawaii Academy of Recording Arts when you submit the copies of your recording(s).
 
Good luck to all who enter!

In a departure from his usual, award-winning slack key guitar style, multiple Nā Hōkū Hanohano Award winner and singer-songwriter Kawika Kahiapo is releasing an album featuring 'ukulele and just a few acoustic instruments. Says Kahiapo of the album he entitled "Uke and Call Me Cousin", "I wanted to approach this project old-school style... with a casual, easy-going tone, just like the good old days, jamming with the cousins. These songs and their essence speak for themselves: a little nostalgia and a lot of soul."
 
Indeed, "Uke and Call Me Cousin" is reminiscent of the casual “garage parties” that are common in Hawai'i to this day. Held at the Kahiapo family home when Kawika was growing up, the parties were frequented not only by family, but by artists such as the world-renowned slack key master Gabby "Pops" Pahinui - and you never knew what song someone was going to play next. In keeping with that style, the album is a blend of songs from a wide variety of artists, with a few original songs thrown into the mix. From classics like "Teach Your Children" and "The Sound of Silence" to Hawaiian favorites like "Kaneohe" and "Kaulana Nā Pua", Kahiapo's smooth vocals and beautiful arrangements make you want to lean back, relax, and just listen. His stripped down version of his award-winning hit song "Life in These Islands", originally released by his former group Kaukahi, will instantly transport listeners to Hawai'i regardless of where they are when they listen to it. His song "Another Time" is especially poignant, given the recent loss of his dear friend and fellow musician, Palani Vaughan.
 
Kahiapo is the winner of numerous awards, including both Island Music ("Ku'u 'Āina Aloha") and Slack Key ("Ho'omaluhia") Album of the Year at the 2015 Nā Hōkū Hanohano Awards; three Nā Hōkū Awards in 2007 for his former group Kaukahi's debut album "Life in These Islands" (Song and Group of the Year), and the Ki Ho'alu (slack key) Award; and he was featured on the GRAMMY® award-winning album, "Masters of Hawaiian Slack Key".
 
Produced by Kahiapo and Imua Garza, "Uke and Call Me Cousin" was recorded, engineered, and mixed by Garza at his Zeo Music Studios. Kahiapo plays a KoAloha tenor 'ukulele and a Kanile'a baritone 'ukulele. Garza plays upright bass, banjo, cajon, and keyboard.
 
The release date is set for December 23, 2016. The CD will be  available at Me Ke Aloha, and digitally online at CD Baby, iTunes, and other standard sites. Wider release through other retail outlets will follow. 

Continental U.S.A.! Are you ready for some award-winning Hawaiian music in 2017? Nathan Aweau, Kawika Kahiapo, and George Kahumoku, Jr. are headed your way! Here's the schedule - get your tickets before they sell out!

Feb 06  Triple Door, Seattle, WA, Tickets
Feb 07  Triple Door, Seattle, WA, Tickets
Feb 08  Triple Door, Seattle, WA, Tickets
Feb 09  Alberta Rose Theatre, Portland, OR, Tickets
Feb 11  Humboldt State University - Center Arts, Arcata, CA, Tickets
Feb 15  Dakota Jazz Club, Minneapolis, MN, Tickets
Feb 16  Folk Alliance International, Kansas City, MO Info
Feb 17  Old Town School of Folk Music, Chicago, IL  Tickets
Feb 18  Club Passim 1st Show, Cambridge, MA, Tickets
Feb 18  Club Passim 2nd Show, Cambridge, MA, Tickets
Feb 19  George Flynn Concerts, Clinton, CT, Tickets
Feb 24  UF Performing Arts, Gainesville, FL, Tickets
Feb 25  The Barns at Wolf Trap, Vienna, VA, Tickets
Feb 27  St. Paul's Episcopal Church, Chatham, NJ Tickets
Mar 01  Weis Center for the Performing Arts, Bucknell University,
             Lewisburg, PA, Tickets
Mar 03  California Center for the Arts, Escondido, CA, Tickets
Mar 04  South Broadway Cultural Center, Albuquerque, NM, Tickets
Mar 05  James A. Little Theater, Santa Fe, NM, Tickets
Mar 08  Freight and Salvage, Berkeley, CA, Tickets
Mar 10  Harris Center, Folsom, CA, Tickets
Mar 12  Kuumbwa Jazz, Santa Cruz, CA, (Tickets available soon)
Mar 15  Cal Poly, San Luis Obispo, CA, Tickets
Apr 08  Musco Center for the Arts , Orange, CA, Tickets
Apr 09  Campbell Hall, UCSB, Santa Barbara, Santa Barbara, CA,
             Tickets

          

​Known locally in Hawaii for performing a version of the hit song "Fish and Poi" in a Burger King commercial, and nationwide for his performances as part of team Adam on The Voice, singer-songwriter Duncan Kamakana (Osorio), will release his original single "Midnight Stones" on Friday October 21. The son of Nā Hōkū Hanohano Award winner Jon Osorio ("Hawaiian Eyes", "Hawaiian Soul") and brother of celebrated slam poet Jamaica Osorio, both of whom chant and sing back-up vocals on the song, Kamakana says he wrote Midnight Stones as a song of hope, one that he hopes will help unify the Hawaiian people. Says Kamakana, "As we as Native Hawaiians continue to find our place in the current state of Hawaii, it is important that we continue to imua (go forward) together."
 
Despite growing up surrounded by music, until he entered his 8th grade year at Kamehameha Schools Kamakana was more interested in sports (he was honored for his prowess in soccer, basketball, and football). There, for the first time, he picked up a guitar and discovered a passion for singing and songwriting. He was accepted into the prestigious Concert Glee Club as a bass, and the high caliber of the musicians there encouraged him to express himself musically.
 
With his song "Midnight Stones", which Kamakana said seemed to just write itself, he explores the effect of war on people. The first verse is a loosely translated version of King Kamehameha's famous speech “Imua e na Poki'i”, written during his quest to unify the islands and depicting the march to battle. The second verse is about beginning the journey home after the battle has been fought, and references Hawaiians as a voyaging people. It is also is meant to acknowledge the important work being done by the Hokule'a. (With the ugliness of war behind you, the horizon line is all that's left for you.) The third verse describes the soldiers returning home from battle, searching for comfort in their journey.  
 
Although the lyrics are primarily in English, they incorporate many aspects of Hawaiian writing, including the idea of "kauna", or hidden meaning. Says Kamakana, "Every line in the song is a reference to more than one idea,  and like a lot of my favorite Hawaiian songs, "Midnight Stones" says a great number of things while using just a few words."  
 
"Midnight Stones" was produced by Shawn Pimental, and engineered by Pimental and Michael Grande of Studio Ala Moana. It features Kamakana on guitar and vocals; Pimental on bass, drums, and percussion; and Grande on piano and organ. Kamakana sings lead vocals, Jon and Jamaica Osorio sing backing vocals and chants.
 
The single will be available in digital format only on iTunes and at other outlets. In the mean time, here's a behind-the-scenes look at the making of "Midnight Stones":

​Up-and-coming Hawaiian slack key guitarist, singer/songwriter and composer Aja Gample has released her debut album entitled, Huaʻi (to uncover, to break forth, to reveal), a title  which seemed befitting to her as the concept for her debut CD. Huaʻi is a collection of four original songs and three cover songs for which she wrote new arrangements. Included on the album is "Pua Mai Ka Lani", the first song Aja ever wrote. It was inspired by a dancer she admired, and talks about the way she dances, the grace, beauty and prowess that she possesses as a dancer, and what Aja thinks all dancers strive to portray when sharing a story. Enchanted when watching her dance for the first time, Aja she tried to capture that moment in song.
 
Born and raised on the island of O'ahu, Aja began playing ʻukulele at age six and guitar by age ten. Her grandfather began teaching her kī ho'alu (Hawaiian slack key guitar) when she was 12, and it quickly became her passion. Continuing to learn and be mentored by renowned Hawaiian musicians, the talented young artist has been increasingly asked to share her music, and in addition to her solo performances, has become a regular performer at slack key festivals. Hoping to one day share her culture with the world through her passion for kī ho'alu and Hawaiian music, she says she recently learned something very important: “Pono au kekuleana a e hoʻomaukaʻōlelohawaiʻi no ka mea he hawaiʻi au.” ("I have a responsibility to perpetuate the Hawaiian language because I am Hawaiian.") Taking this to heart, she set about composing more stories and songs, and the release of this, her debut album, has put her further down that path.
 
In keeping with the concept of Huaʻi, Aja wanted to showcase not only her ability to compose original songs, but also to arrange existing works such as "ʻĀ ʻOia!". Written by John Kameaaloha Almeida, "ʻĀ ʻOia!" is a song that pays homage to her roots. Aja wrote her own arrangement of the song, creating an introduction that is a short medley with "Take The A Train" which quickly transitions into "ʻĀʻOia!"
 
Hua'i was recorded primarily at Blue Planet Sound in Honolulu, with the exception of "Hula Blues" and "Mele Moemoea", which were recorded at Rainbow Studios in Burbank, CA. Aja sang all vocals and played guitar. Guest artists include: Daniel Gibson (percussion); Chris Kamaka (bass); Kapō Ku (ʻukulele); and Joe Lamano (bass).
 
The CD is currently available at Me Ke Aloha online, and at Na Mea (Ward Warehouse). Download versions are available on CD Baby, iTunes, and Amazon.

​Here are a few clips from the album:

The First Round online entry process to submit entries for the 59th annual GRAMMY® Awards is now open!

Recordings released from October 1, 2015 to July 31, 2016 are eligible in this first round. (Note: only recordings that were COMMERCIALLY RELEASED and available nationally in the United States are eligible for consideration, meaning they are available at a brick-and-mortar store, or online at CD Baby, iTunes, or one of the other commercial outlets. Recordings that are only available on a record company's or musician's website - or at their performances - are not eligible.) The first round entry period ends July 20, 2016 at 6pm PST.
 
Final Round submissions (for recordings released from August 1, 2016 to September 30, 2016) open August 10, and close August 24, 2016. (And yes, if you release an album after the final submission date and up to September 30, you must still submit your GRAMMY® entry by August 24 at 6pm PST. I know, I know - confusing, yes? But I didn't make the rules!) 
 
You or your record or media company must be a member of the National Academy of Recording Arts and Sciences (NARAS - or "The Academy") in order to submit. I am again submitting on behalf of eligible clients (and a friend or two), so if you have any questions, please don't hesitate to contact me!
 
NOTE: IF YOU RELEASED AN ALBUM IN THE HAWAIIAN MUSIC GENRE, PLEASE SUBMIT AN ENTRY! One of the reasons we lost our own, separate Hawaiian Music category several years ago and were rolled into the Regional Roots category is that there weren't a sufficient number of entries each year to warrant keeping the Hawaiian category. If we are ever to get our own category back, we must increase the number of entries!

Kahala Mall will be featuring a variety of musical entertainment this summer, from traditional Hawaiian to Pop, Indie, Folk, and Jazz. The concerts will take place every weekend from now through July. All performances will be held at Center Court (unless otherwise noted), and are free.
​

June 25: Kapena 12-1pm; Kamakakehau Fernandez 2-3pm
 
June 26: Chris Salvador 12-1pm; Jeremy Cheng 2-3pm
 
July 2: Kupaoa 12-1pm; Hoku Zuttermeister 2-3pm
 
July 3: Sean Na'auao 2-3pm
 
July 9: Melaniie 12-1pm
           Jason Laeha 1-2pm
           Simple Souls 2-3pm
           Evan Khay 3-4pm (Macy's Wing)
 
July 10: Sean Cleland 12-1pm
              Wood & Stone 2-3pm
              IZIK 3-4pm (Macy's Wing)
 
July 16: Ben and Maila 12-1pm; Yoza 2-3pm
 
July 17: Randy Allen 12-1pm
 
July 23: Keilana 12-1pm; Duncan Kamakana 2-3pm
 
July 24: Jessica Joy & Shay Marcello 12-1pm; Izik 2-3pm
 
July 30: Randy Allen 12-1pm; Jason Laeha 2-3pm
 
July 31: PaizLee 2-3pm
 
The mall is located at the corner of Waialae and Kilauea Avenues.

​Hawai'i's popular live music TV show Pakele Live is holding its annual Nā Hōkū Hanohano Awards preview show on Thursday May 26, featuring 2016 nominees Chad Takatsugi (for his debut solo album "Ahuwale"); Nathan Aweau (for his album "'Āina Hānau"); Natalie Ai Kamauu (for her album "LaLaLaLa"), and Sean Na'auao (for his album "Lehua Beauty"). All four artists are prior nominees and winners (Chad when he was with the popular group 'Ale'a) and they continue to record albums that delight audiences, critics, and radio program directors alike.
 
Beginning at 6:30pm, the artists will perform 30 minute sets in the following order (also listed are the categories in which they or their albums are nominated):
 
Chad Takatsugi - Ahuwale
Hawaiian Album of the Year
Graphics
Liner Notes
Haku Mele (3 nominations in this category!)
Hawaiian Language Performance
Engineering
 
Nathan Aweau - 'Āina Hanau
Male Vocalist of the Year
Album of the Year
Single of the Year (for "In the End - HI Sessions")
Song of the Year
Instrumental Composition of the Year
Favorite Entertainer
Island Music Album of the Year
 
Natalie Ai Kamauu - LaLaLaLa
Female Vocalist of the Year
Album of the Year
Single of the Year
Song of the Year
Favorite Entertainer
Hawaiian Album of the Year
Engineering
 
Sean Na'auao - Lehua Beauty
Male Vocalist of the Year
Album of the Year
Favorite Entertainer
Hawaiian Album of the Year
Engineering
 
The show will take place from 6:30-8:30pm at the Willows Restaurant   (901 Hausten St., Honolulu), and is free to the public. If you would like to make a reservation, please call (808) 952-9200. The show will be streamed live .

​Singer-songwriter Blayne Asing, whose debut album “Young, Old Soul” quickly sold out of its first printing and is nominated for two 2016 Nā Hōkū Hanohano Awards (Hawaii’s GRAMMY® Award), is releasing a new single on April 22, 2016 inspired by his love of the island of Molokai. Written for his Molokai family, “Molokai On My Mind” expresses his experience living the Molokai life, with references to family, fishing, hunting, beautiful landscapes, and unforgettable people.
 
Asing has spent the last few years traveling back and forth between Oahu and Molokai, finding it increasingly difficult to leave the beautiful, unspoiled island with each trip. What were supposed to be two day trips stretched to five. One week trips stretched to two. Says Asing, “There is a mana about the island that most people disregard or cannot connect to. As the saying goes, “if you know, you know...” His lyrics reflect his longing to stay on an island heavily steeped in Hawaiian culture and natural beauty (“Should I stay or should I go to find my heart”), and the traditional Hawaiian way of life (“The ocean brings the taste of supper time...”)
 
Born and raised on the island of Oʻahu, Asing had no formal music training. He credits his ability to play with having a natural ear for learning. He taught himself how to play guitar by watching YouTube videos. He began playing ʻukulele at age eight; singing in the Kamehameha Children’s Chorus at age nine; playing guitar at age 14; and playing percussion in the Kamehameha Schools marching, concert, and pep bands from ages 12 to 18. Although he grew up loving the music of popular Hawai’i artists such as Ernie Cruz, Jr., Brother Noland, Gabby Pahinui, Olomana, and more, his own music is heavily influenced by country and folk music artists such as James Taylor and Jackson Browne.
 
“Molokai On My Mind” was produced by Bailey Matsuda (with Executive Producer Darren Tsuchiya), and recorded, engineered and mastered by Milan Bertosa at Island Sound Studios. In addition to his vocals, Asing played acoustic guitar and dobro. Guest artists include Bailey Matsuda (piano), Noel Okimoto (drums), and Mark Tanouye (bass).
 
“Molokai On My Mind” is available in digital format only, currently at Me Ke Aloha  and soon on iTunes, CD Baby, and other digital outlets. Here is a preview:

The finalists were announced today for the 2016 Nā Hōkū Hanohano Awards. Ballot sheets will be mailed to voting members tomorrow, and the Awards will be announced  May  28th  at the Hawai'i Convention Center.

Click on  "download file" to open the list of nominees, or see below... (most readers will need to click the file link)​

​Good luck to all the nominees!

​The year 2015 marked 25 years in the music industry for multiple Nā Hōkū Hanohano and Hawai‘i Music Award winner Herb Ohta, Jr. In celebration of that achievement, on April 1, 2016, he released My ‘Ukulele World - an album containing both original material and a variety of songs written by others, including Queen Liliʻuokalani, John Piʻilani Watkins, and more. He also includes vocals on two songs (‘Ulupalakua and Noho Paipai) – something he rarely does, but that is always requested by his fans.
 
Citing ‘ukulele masters such as his father (Ohta-San), Eddie Kamae, Lyle Ritz, Byron Yasui, Benny Chong and more for paving the way for the ‘ukulele players of today, with this album Ohta, Jr. hopes to not only continue following in their footsteps but to create new paths for the younger musicians who look up to him as he looks up to and has learned from the masters. Of the four original songs on the album, Ohta, Jr. includes Paradise, written about how lucky he is to be from Hawaiʻi; and Lēʻahi Morning, about his regular visits to Lēʻahi Hospital to perform for the senior residents. He dedicates the song to the residents and staff of the hospital.
 
Now a master in his own right, Ohta, Jr. began playing at age three and teaching at age nine. He was a member of the prestigious Honolulu Boy Choir, the Honolulu Children’s Opera Chorus, and the University High School Select Choir. Although influenced by Jazz, R&B, Latin, and Brazilian music, some of which is evident in his recordings and performances, Hawaiian music remains his favorite. He began his professional career in 1990, when his father featured him on one of his recordings. In addition to his solo albums, Ohta, Jr. has released twelve duets with artists such as GRAMMY® Award Winners Daniel Ho and Keoki Kahumoku, as well as Bryan Tolentino, Tony Conjugacion, and multiple Nā Hōkū Hanohano Award winner and former Pure Heart front-man Jon Yamasato. He has also contributed to more than 40 other recordings. John Berger of the Honolulu Star-Advertiser once said of him, “For ʻukulele fans who prefer unpretentious technical proficiency over theatrics, Herb Ohta, Jr. is the undisputed master ʻukulele instrumentalist of his generation.”
 
Produced by Ohta, Jr. and DJ Pratt, My ‘Ukulele World was recorded, mixed, and mastered by Pratt at Blue Planet Sound Studios. Guest artists include: Randy Aloya on bass; Jeff Au Hoy on  steel guitar; Garin Poliahu on drums; Jon Porlas on percussion; DJ Pratt (guitar solo on “Shore Break”); Halehaku Seabury (Hawaiian language consultant and guitar solo on “Noho Paipai”); and Jon Yamasato (guitar and background vocals on “ʻUlupalakua”).
 
My ‘Ukulele World is available on Herbʻs website, and will be available soon at Me Ke Aloha , and other retail outlets.

​Honolulu, HI – Award-winning Hawaiian recording artist Keale has released his 2014 album Aina Kaula: Motherland on vinyl; one of the first musicians in Hawai’i to embrace the growing trend. "Aina Kaula" means motherland, but it has a few deeper meanings as well: one is a reference to the island of Kaula, which is a sacred destination of Niʻihau kāhuna (priest, keeper); another is "prophetic land" or a land which speaks to its people in powerful, spiritual depths.
 
Hawaiian music with a distinctly "cowboy/paniolo" feel, the album’s arrangement was influenced by Keale’s country upbringing in California’s San Joaquin Valley as a "seed of the dustbowl," as well as the sounds of his late uncle Moe Keale, the early Makaha Sons of Ni’ihau (with his first cousin, Israel Kamakawiwo’ole, also known as Bruddah IZ), bluegrass, cumbia, and ranchera music. It includes four original songs that were either written by Keale or derived originally from chants and then put to music. Palani Vaughan’s “Kamamakakaua” and the classic “Hiʻilawe” have been arranged in a Mexican corrido style. Queen Lili’uokulani’s “Manu Kapalulu” was arranged in the bluegrass style.
 
Of Cherokee and Hawaiian ancestry, Keale’s recording projects are always a reflection of his latest intellectual, spiritual and ‘āina (land) stewardship pursuits. He says his #1 rule is “immersion before composition,” and that only after he feels totally present in a place will he attempt to write for it. In Aina Kaula: Motherland, he has chosen to “sing through” all the places he would call “Motherland”: Planada and the San Joaquin Valley/Indian Country; Niʻihau-connected places, and the sky & land he inhabits.
 
Of his decision to release Aina Kaula: Motherland on vinyl, it appeals across all age groups and demographics, and the demand for the format saw a resurgence in 2008 and has risen sharply ever since - with sales of over 9 million copies in 2014.
 
Produced by Keale and recorded and engineered by Chris Lau at his Rhythm and Roots studio, the album features Keale on vocals, ʻukulele, 4-string cuattro/requinto, and Cherokee flute; Bill Griffin on mandolele, mandolin and octave mando player; Chris Lau on upright bass and accordion; and Stephen Inglis on acoustic guitar. Guest vocalists are Paula Fuga and Emma Mix. Additional guest musicians include Paul Cartwright (Fiddler from the Walking Dead HBO series); Mike Witcher (dobro player from Peter Rowan's bluegrass band, Nickel Creek); Jeff Dayton (acoustic guitar out of Nashville); and Don Kaulia (slack key guitarist).
 
The album is available is available in both vinyl and CD format at Keale’s website . 
 
Keale will be appearing on Pakele Live Thursday January 14th to perform songs from Aina Kaula: Motherland and talk about the vinyl release. The show will be broadcast live online from the Willows Restaurant (901 Hausten St., Honolulu) from 6:30-8:30pm HST on www.pakelelive.com.

Mele O Hālawa, the sound track to Matt Yamashita’s beautiful documentary film, “Sons of Hālawa”, about the life of Molokai’s Pilipo “Pops” Solatorio, was recently released in limited quantities.
 
The film documents 'Anakala (Uncle) Pilipo and his life on the island of Molokai. He is the last to hold the cultural traditions, music, and stories of the sacred Hawaiian valley of Hālawa - home to his family for hundreds of years. 

At age five, Pilipo was selected by his adopted grandfather to become the cultural practitioner for his family, and was given the responsibility of perpetuating the traditions of Hālawa Valley. But growing up in the isolated community was not easy and Pilipo, like most others of his generation, left Hālawa vowing never to return. However, when he got married and started a family, the valley and the teachings of his grandfather called him home to fulfill his destiny. The film follows  Pilipo as he guides and talks with his son, Greg, and his two hanai (adopted) sons (Josh, a taro farmer, and Jason, a musician from New York). Which one will take on the responsibility of carrying the traditions forward? Or will all three play a role?  If Pilipo doesn’t succeed in finding a successor, generations of knowledge will be lost forever.
 
Comments from actor Jason Scott Lee (Dragon-The Bruce Lee Story, Jungle Book, Rapa Nui, Lilo & Stitch, etc.), who is also a hanai son to Pilipo: "Matt Yamashita and crew have created something very special with Pilipo "Pops" Solatorio's life story. Taking us on a ride back in time on one of our most cherished islands, Molokai, we experience hardship, history, and Aloha through the voice and eyes of Pops. This heartfelt, graceful portrayal allows us a well-deserved "Ha" (Breath of Life) as a break from the fast-paced, hectic, techno world most of us live in.”
 
About the film and the CD, Jason Poole had this to say:  
 
“The songs included on the CD are really special to ʻAnakala Pilipo [whom Jason calls Pops]. They are a link to the past, his past.  Growing up in Hālawa Valley, he heard these songs sung by his relatives and neighbors.  Without television and other “modern day” devices, music was a huge part of the daily life in the valley.  He says that he’s the oldest living descendant of his generation still living in the valley. (Note: He may be the oldest living Hālawa native in the valley—maybe on the whole island.  I would have to verify that.)” 
 
“He was so excited to share them with me. And I was so excited to learn them!”
 
“Music was my way in when it came to all things Hawaiian. I fell in love with the music first. And when I went to Molokai to spend time with Pops back in 2007, my goal was this: to learn some songs that were “standards” on the island of Molokai. (I secretly hoped that he would share songs that were from Hālawa Valley, but I wasn’t sure.)”
 
“And now we have a recording of both Molokai standards as well as songs specifically from Hālawa Valley.” [Six of the songs on the recording are original compositions by Pops,  Lono, and Jason]
 
“Lei Hālawa has become a theme song for me. It’s the song I use to open a concert or a talk-story session. It’s an instant connection to Molokai, to Hālawa Valley and to Pops, himself. I only know of one other recording (recorded by the Molokai Trio on their album Aloha Molokai) that features the song. I was so excited to hear it, sure that it would be an instant favorite. I was so wrong!  It took a long time for me to cleave to it. But now it’s a favorite, for sure. The lyrics are based on a traditional oli that describe some of the sites in Hālawa Valley.  The melody was borrowed from a Christian tune composed by James McGranahan. The same melody was used for Rev. Lorenzo Lyon’s song Hawai’i Aloha.”
 
“I know that ʻAnakala Pilipo feels the need to leave a legacy for future generations—especially because he is the only one who is living in the valley and perpetuating the cultural traditions he grew up with.  This recording is a way to preserve that mana, that energy that’s been gathering for centuries.” 
 
“I love the scene in the documentary when Pops hears the CD for the first time. He and Lono are sitting in the valley in ʻAnakala’s hale ʻike (learning house). The music fills the air and ʻAnakala’s eyes fill with tears. It’s like he’s listening to his ancestors singing again.”
 
“Being a part of this project is one of the greatest things I’ve done in my life. I see this as a way for ʻAnakala Pilipo and I to be connected forever. Our voices weave in and out of each other on the CD. Sometimes it’s even difficult to discern who is singing what.  And for me, being an outsider who has been lovingly brought inside Hawai’i—inside a Hawaiian family via hānai—it brings me into this legacy.  And it brings me in through a door that I’m familiar with, a medium that I trained in.”
 
“As a Kumu Hawai’i in this line of teachers, it’s an honor to be a part of this island’s (and this valley’s) rich musical tradition. An honor to be a carrier of its traditional songs, as well as link in the chain of the island’s (and valley’s) composers.”
 
The CD is available online at Me Ke Aloha  while supplies last. The film has been shown at the Hawai’i International Film Festival, with screenings on the islands of O’ahu, Hawai’i, Kaua’i, Maui, and of course, Molokai, and the producers are hoping to enter it in other film festivals on a wider scale.
 
Below is the film’s official trailer, the music video for Jason’s original song “Healing Waters”, and some song clips from the CD.

Just in time for holiday giving, multi-talented, fourteen-time Nā Hōkū Hanohano Award winner Nathan Aweau has released yet another all-original album. ‘Āina Hānau is filled with songs inspired by his beloved Hawai’i, and his first grandchild, Queen Lili’uokalani, Tahiti, and Nagaoka, Japan (Honolulu’s sister city).
 
Known for his hauntingly beautiful vocals (he’s won Male Vocalist of the Year honors three times – more than any other artist), especially when singing leo ki’eki’e (Hawaiian falsetto), Aweau’s songs on this latest album range from expressing his sudden awe at the beauty of Kahakuloa, Maui as he stood at the top of a ridge looking down on the valley at a place where time seems to have stood still (I Ka La'i O Kahakuloa); to a fun song about traveling to various places in Hawai’i (Ho'ole'ale'a); to the title track, which is a metaphor that describes Hawai'i as Heaven. The melody to Mo'i O Lili'u was written after Aweau dreamt he was standing in front of Iolani Palace with thousands of others on the day Queen Liliuokalani was arrested and imprisoned. The Queen looked at him as she passed and said, "Don't worry about me, take care of each other".
 
Aweau was born into a musical family, and his early years consisted of piano, guitar, and ‘ukulele lessons, followed by saxophone, percussion, and bass. He began his professional career in college, accompanying such well-known performers as Gabe Baltazar, Henry Kapono, Loyal Garner, and Nohelani Cypriano. He was also a member of the award-winning groups Ka'eo, the Ali'i's, and HAPA, and played with the legendary Don Ho for 16 years. His passion for the electric bass led to his decision to make it his main instrument, which ultimately resulted in his 2005 Nā Hōkū Hanohano Award for Jazz Album of the Year  for his CD Bass Etude – just one of the many music awards he’s won.
 
Music critic Wayne Harada of the Honolulu Advertiser said of Aweau, “Nathan is that distinguished rarity…a jack of all trades, master of a wide domain”. The New York Times opined, “Nathan has an in-depth understanding of orchestration, and his singing style is effortless”.
 
As is the case for all of his solo releases, ‘Āina Hānau is 100% Aweau. He sang all the vocals (including background); played all the instruments; wrote and arranged all the songs (although Kimo Armitage wrote the lyrics for Mo’i ‘O Lili’u and Ai Ishida wrote the lyrics for Inori); and recorded, mixed, and mastered the album at his In My Bathroom Studios.
 
The CD is currently available at Me Ke Aloha. Wider release through other online and retail outlets will follow.

(Note about the track Nathan wrote for his new granddaughter (Lilia): he said that when his daughter told him and his wife that she was pregnant, he was  not   a happy camper (he wasn’t ready to be a GRANDPA!), but his wife was really excited, so what he thought didn't matter – ha! But when Lilia was born she totally melted his heart.  He forgave his daughter.... )